Hera

This artwork (left) is by Italian tarot artist Patrizia Gambari, who lives and works in Vergato, a picturesque commune outside metropolitan Bologna. The painting is titled Hera. It caught my eye while browsing Morena Poltronieri’s Facebook page. Morena is director of the International Tarot Museum in Bologna.

In Gambari’s tarot schema, Hera represents the Empress just as Gaia represents the Empress in Chrysalis Tarot. In Greek mythology the two are closely aligned. Hera was an Earth goddess in early Greek mythology, a role which Gaia later assumed. In some accounts, Gaia was Hera’s grandmother. In the mythological Garden of the Hesperides, Gaia attended Hera’s wedding to Zeus. As a wedding gift Gaia gave the happy couple enchanted trees that would produce Golden Apples .

In Greek mythology, Hera represents the ideal woman. In Greek religion, she was guardian of the family and protectress of women in childbirth. At this difficult and dangerous moment in American history, I both invite and encourage meditation on Hera and her attributes. But rather than propound gratuitous political commentary (plentiful elsewhere), I will offer only additional artwork and its synchronicity to still the soul and salve the conscience.

Hera’s Roman counterpart is Juno, the patroness of Rome. In ancient times, the annual Matronalia was held in her honor in June, the month named for her and the reason we regard June as the most favorable month for marriage even today. Pictured below is Flaming June (1895) by Sir Douglas Leighton, one of my favorite paintings. June is fast asleep but brimming with energy.

Greek mythology was often featured on Black Figure Pottery, which dominated the Mediterranean pottery market for over 150 years. The piece below is now in the Louvre. It shows Hercules, come up to the Garden of Hesperides to pinch some Golden Apples.

The painting below is by Ricciardo Meacci (1894). It depicts the three Hesperides in their garden. The three are sometimes called Western Maidens or Daughters of Evening. In Roman mythology, they are Daughters of Hesperus, personification of the Evening Star. Their mission was to mind Hera’s orchard, to prune and water the trees. The apples would bestow immortality on anyone who ate them.

Protecting the Golden Apples was a job Hera gave to Ladon, a hundred-headed serpent-like dragon, who, according to Greek art, was for the most part friendly to humans.

We can glean the parallels between the mythological Garden of the Hesperides and the Biblical Garden of Eden; Zeus and Hera as types of Adam and Eve. In Genesis Eve was called the “mother of all the living” and Hera was called the “mother of all” by the Greek poet Alcaeus.

Our age-old dilemma dramatized in both the Garden of Hesperides and of Eden is self-evident: Ultimately, we each must decide what our source of Truth will be – the Creator or the Serpent.

Choose wisely.

© Toney Brooks, 2022

Whispers of Snow Spirit

Elen of the Ways, a.k.a. Snow Spirit © Holly Sierra

Snow Spirit is an enigmatic goddess who has traveled eons to make her presence known to us in these troubled times. In Platonic parlance an eon, in addition to being a very long period of time, points to a power existing from eternity; an emanation or phase of the supreme deity.

In this case, “supreme deity” alludes to the Great Goddess, mother to all the Mother Goddesses throughout history, of which there are many. Every culture has had it’s own. Even Islam, a rigidly monotheistic culture, worshiped Al-Lat. Her name means The Goddess. Al-lat was a moon goddess, the wife of Allah, moon god to the Arabians.

In Judaism, the feminine presence of God who dwells among us is called The Shekinah, translated as “caused to dwell.” It was the Glory of the Shekinah who led the Israelites out of the desert. In Jewish mysticism she is said to be “in sorrowful exile” going on now for 2,500 years or so.

We mention The Shekinah (a.k.a. the Divine Feminine) 8 times in the Chrysalis Tarot Companion Book. Here’s my personal favorite:

“The exile of the Shekinah finds its cultural analog in the separation
of the cosmic soul (Psyche) from human conscious awareness
(ego). This is a predictable consequence of a materialist worldview
that insists upon the primacy of matter and pigeonholes consciousness
as a mere function of matter—specifically, a function of the gray
matter inside the human skull.”

In Chrysalis, we believe (1) in panpsychism – everything in the physical world possesses some degree of consciousness; (2) in non-local consciousness – that consciousness exists independent of the brain, and (3) that consciousness is the timeless and eternal Ground of All Being – a metaphor for the Absolute or the Great Goddess.

Artistic interpretation by Velizar Simeonovski

It’s little wonder that in these days the Great Goddess chooses to come to us from a cave in Southwestern France 13,000 years ago as Snow Spirit.

The Upper Paleolithic culture of that time was called the Magdalenian Culture. The actual engraving (shown in this link) in Trois-Freres cave is androgynous. Since the cave was re-discovered in 1914, the logical assumption at the time was the engraving depicted a male sorcerer in the form of a therianthrope (part human, part animal) as shown in the artistic interpretation on the left.

Holly’s drawing of Snow Spirit corrects this error – the Magdalenian Culture was matrilineal and matriarchal and accordingly they would have evolved female deities and female shamans.

You can learn more about the Magdalenian Culture and Magdalenian Girl, whose skeletal remains rest at the Field Museum in Chicago here.

The incarnation of Snow Spirit we’re most familiar with is Elen of the Ways, a Celtic Welsh goddess. Here’s what mythologist and artist Judith Shaw wrote about Elen:

“Elen of the Ways is She who guides us on these paths of change. Like so many Celtic Goddesses, She is elusive, shimmering, changeable. She endures through the ages, shifting into what each time needs Her to be. She is an antlered goddess who rules the Ways, the Roads, the Passages of human life, both physical and spiritual.”

I personally believe that restoring Elen and Snow Spirit to conscious awareness will help guide and protect our journey through the murky corridors of the present paradigm shift, which is becoming murkier with each passing day. Paleolithic goddesses are enigmatic because we know virtually nothing about them. We are able, however, to infer and intuit certain characteristics, attributes and symbology as well as glean their whispered messages – consciousness is timeless.

For example, the Paleolithic Magdalenian Culture existed on the cusp of the Mesolithic or Middle Stone Age. Magdalenian Girl’s fragile world was changing as radically as ours is today. Her own paradigm shift and its lessons for us will be the subject of our next blog.

Blessings.

Forensic bust of Magdalenian Girl, The Field Museum, Chicago, by artist Elisabeth Daynes

© Toney Brooks 2/2/22

Who is Mary?

Bartolome Murillo’s The Assumption of Mary (detail), circa 1680. The Hermitage, St Petersburg.

In the Chrysalis schema, Mary is the ultimate archetype of the Great Mother Goddess. (The Vatican, on the other hand, does not see it this way.) Other deities that represent the Divine Feminine and who are included in the Chrysalis pantheon include the primordial Earth Goddess, Gaia, Ariadne, Brighid, Kali and Bastet. Such prominent inclusion of the Divine Feminine archetype and consequently her energy are very important aspects that set Chrysalis Tarot apart.

We chose today to publish this blog since yesterday, Sunday August 15th, the Solemnity of the Assumption of Mary was celebrated. The Assumption is an important feast day in the church and also a date Chrysalis users should cement in their conscious awareness. Chrysalis considers the Assumption of Mary an apotheosis; she should be regarded by us as an integral, inseparable aspect of the Divine, which sadly is viewed by our civilization as entirely patriarchal. Patriarchal societies always evolve patriarchal gods.

Were we to define “Chrysalis mysticism,” the Divine Feminine would be its foundation stone. In Jewish theological thought, particularly mystical Kabbalism, the Divine Feminine is known as the Shekinah. It was the Shekinah who led the Jews out of exile – her divine presence dwelled with and within them and often was symbolized as a blinding, extraordinary light, just she is on a number of Chrysalis cards, for example, Storyteller, Chrysalis Tarot’s unique interpretation of the Shekinah.

Joshua passing the River Jordan with the Ark of the Covenant (1800), by Benjamin West.

Whenever we derive genuine inspiration from a reading and are honestly unable to attribute the inspiration to our own ego, the Shekinah is speaking to us via one of her many spiritual surrogates and archetypes.

Much more about the Shekinah can be found in the Chrysalis Tarot companion book. This is from Tali Goodwin’s Introduction:

“I was also able to appreciate how it [Chrysalis] wove seamlessly the spiritual
essentials drawn in other decks, particularly the presence of the Shekinah,
such an intrinsic yet barely mentioned mystery of the Waite-
Smith and Waite-Trinick Tarot images. I am impressed by how such
concepts are here raised from religious constraints and placed in a
space from which we can all draw, universally and compassionately,
through the images of the deck.”

© Toney Brooks, 2021

Day 2 – Behold Thy Mother

Holly_Sierra-MoonThe Chrysalis Moon card is an appropriate symbol for the Celtic goddess Brighid. Here’s the reason why.

The ancient Indo-Europeans and Proto-Celts knew the goddess as The Great Mother. Since those days she has been known by many other names. The Israelites call her The Shekinah, the feminine presence of God. The Celtic tribes that left Anatolia in Eastern Turkey to migrate throughout Europe and beyond knew her as the Goddess Danu. They named the River Danube for her.

The names of other Celtic tribes are similarly recognizable by place names on modern maps such as the Parisii (Paris), the Belgae (Belgium) and the Britannia, Galatians, Gauls and the Hibernians (Ireland), who today still celebrate both the Old Gods and the New. Brighid, pagan goddess and Christian saint, belongs to both camps.

The Catholic Church, as we all know, sought to stamp out paganism wherever it was found. They built churches on top of pagan holy sites and made saints out of goddesses that were particularly difficult to get rid of. The goddess and the saint were, as we say, syncretized.

The supernatural family of the Celtic Danu was known as the Tuatha Dé Danann – the People (or tribe) of the Goddess Danu. The Tuatha were highly skilled in the magical arts and were banished from Heaven because, well, they knew too much. Among the deities that came down from Heaven on a cloud of mist was Brighid who, like many other goddesses, is akin to The Great Mother – the Shekinah or Divine Feminine.

The principle attribute of all Great Mother goddesses is the Moon just as the Sun is the principle attribute or symbol of their male consorts. The return of the Divine Feminine to share dominion with the masculine are central themes of the New Paradigm – not to replace the patriarchy, mind you, but simply to restore proper yin-yang ☯ balance. You can easily anticipate how much turmoil such “balance” might create in the corridors of patriarchal power, most notably The Vatican.

St.Brigids-Flame-Christmas-2009Brighid is the Goddess of Home and Hearth. In olden days she along with her 19 priestesses tended Brighid’s Flame, a tradition that lives on. Today Brighid’s Flame burns bright in a town square in County Kildare (left).

Throughout the British Isles and Ireland you will come across Holy Wells and other monuments dedicated to Brighid. Many wells are decorated with “clooties” like the ones on the Chrysalis Six of Spirals card. The clooties represent the intentions of the faithful.

My personal favorite Brighid tradition is her Cauldron of Rebirth, which is actually a Welsh tradition. Like Ireland, Wales, Cornwall, Brittany, Scotland the Isle of Man were once Celtic countries.

We celebrate Brighid in February because according to the Celtic lunar calendar Feb. 2, 2019, is Imbolc, one of the major festivals of the year. From the link:

“It is time to let go of the past and to look to the future, clearing out the old, making both outer and inner space for new beginnings. This can be done in numerous ways, from spring cleaning your home to clearing the mind and heart to allow inspiration to enter for the new cycle. It’s a good time for wish-making or making a dedication.” Or a novena!

imbolc-candlemas-nichol-skaggs
Imbolc art by Nicol Skaggs

© Toney Brooks, 2019